Yayoi kusama self obliteration1/13/2024 While today's, gay-rights campaigners and anti-capitalist demonstrators are perhaps unlikely to see Kusama as a worthy precursor, a careful reading of her history proves that, for a few years, the artist certainly worked towards similar ends - while taking her polka dots far beyond the gallery system. She turned to clothing design, tried writing novels, and eventually left New York for Japan in 1973, checking into a Tokyo mental health institution, where the artist currently resides. Not included High auction record: US10.5m, Phillips, 2022 Blue-chip: Represented by internationally recognized. “Kusama called her performances during this period ‘social demonstrations’” writes Kultermann, “but their thin veneer of progressive political rhetoric did not disguise the fact that the true agenda was Kusama’s ‘symbolic philosophy with polka dots’.”Īs the artist’s notoriety declined, so Kusama’s tactics changed. Self Obliteration by Dots, 1968, 2015 Frame. These events had the tenor and trappings of sincere political protests, yet not everyone is convinced of the artist’s motives. ![]() In her Stock Exchange stunt, a kind of poppy precursor to 2011’s Occupy movement, Kusama called on passersby to “obliterate Wall Street men with polka dots”, while in one of her anti-war communiqués, she offered the president-elect Richard Nixon, veiled promises of sexual intercourse in exchange for withdrawing US troops from Vietnam. Kusama's Anatomic Explosion outside the New York Stock Exchange, 1968.
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